Showing posts with label Epictetus. Show all posts
Showing posts with label Epictetus. Show all posts

Sunday, July 13, 2008

Some Thoughts to Chew On


Balanced rock
Originally uploaded by Seeking Tao

The essence of philosophy is that a man should so live that his happiness shall depend as little as possible on external things.
Epictetus (first century A.D.)

I came across this quote and it captures the exact point I have been debating of late in my mind:
How much of my happiness should I structure by my life “external” as opposed to turning within. I mean, even Eckhart Tolle speaks of the enlightened person, being a singular incarnation, still feeling the lack, the imbalance of complete Yin and Yang.
I.E. we need People in our life!
But, Tolle says the lack will be felt “only on the surface.”

Hummmm. Epictetus includes that caveat, “as little as possible.” I think that’s important and I’ve been overlooking it.

Here, is a poem by Billy Collins. Not the one I was looking for, but it will do just fine.

I Ask You

What scene would I want to be enveloped in
more than this one,
an ordinary night at the kitchen table,
floral wallpaper pressing in,
white cabinets full of glass,
the telephone silent,
a pen tilted back in my hand?

It gives me time to think
about all that is going on outside—
leaves gathering in corners,
lichen greening the high grey rocks,
while over the dunes the world sails on,
huge, ocean-going, history bubbling in its wake.

But beyond this table
there is nothing that I need,
not even a job that would allow me to row to work,
or a coffee-colored Aston Martin DB4
with cracked green leather seats.

No, it's all here,
the clear ovals of a glass of water,
a small crate of oranges, a book on Stalin,
not to mention the odd snarling fish
in a frame on the wall,
and the way these three candles—
each a different height—
are singing in perfect harmony.
So forgive me
if I lower my head now and listen
to the short bass candle as he takes a solo
while my heart
thrums under my shirt—
frog at the edge of a pond—
and my thoughts fly off to a province
made of one enormous sky
and about a million empty branches.


To me, Collins seems quite able to draw upon his own internal resources for his happiness. But, he also lives with a partner and a dog.

I have been sitting on my back deck these days, thinking of a river in the wilds,
wishing that I might camp at least one more time for a week in a place where the only other human light comes from a mile or so across the water in the night,
a place where loon and moose and otter are my only companions.
But, I am not up to the solo paddle.
There seems no way to get there anymore.

Then, I look up into the tree tops of my backyard and try to notice exactly what is going on up there. Isn’t the essence of the distant river also here?

Billy Collins:
The interesting part of writing for me is finding a point in a poem that allows me to slip into another dimension. Usually, that's moving from a literal plane to a completely hypothetical one. It's the hypothetical, I think, that makes us human.

Hummm, the hypothetical? Seems to me I might call it the transcendent.
Literal to hypothetical, concrete to abstract, Relative to Absolute.
It’s all external to internal,
the Ephemeral and Eternal juxtaposed.

Poetry has been saying that for a few thousand years.
Seize the day.
Do it now.
The sense behind that imperative is that we don't have an unlimited number of days.
Television says the same thing all the time—'Everything's going to be OK.' Contemporary novels are saying, 'Things are not OK.'
What poetry is saying is 'Life is beautiful but you're going to die.'
So much of poetry asks us to look at life from the perspective that death enhances life.
Billy Collins

Monday, June 30, 2008

Prison or Paradise: Part Two


Red Poppy
Originally uploaded by Seeking Tao
I mentioned last time going to an Adyashanti Gathering and watching a DVD.
There was a woman talking with Adya. He asked her repeatedly and directly, “So, what happened? What simply happened?”
Amazingly, the woman was incapable of answering the direct question.
She had to spin a story.
Feeling somewhat savvy, she had ready explanations and elaborations.
At first, I didn’t like her. In time, I saw that we all spin out our stories.
We just do it a bit more subtlely.

Let's say you are living in an unpleasant place.
It's cold, it’s wet or damp, or noisy, or cramped. And there you are sitting on a chair. It is the form that this moment takes, and you realize the limitations of that form.
And yet, you allow this moment to be as it is.

Some people confuse that with accepting a story they are telling themselves in their head concerning this moment.
And that is a mistake that some people make, I have noticed that.
When we speak of allowing this moment to be
they confuse that with creating some interpretation of this moment which is a story…

… say the stock market has crashed and your wife has left you, a synchronistic event. And then the story comes in, in your mind which says:
‘Okay, you've worked for nothing for 25 years…you failed at your business and you failed at your marriage. There's no point in even carrying on now because at your age what can you do? Who would want you? You haven't got enough time to build up another business empire.’

The story goes on in your head.
It's an interpretation of this moment.
I failed.
It's been pointless.
My life has come to nothing.
(And this is a simple story. Most stories are more complicated than that.)

The story is not this moment.
The story is the story in your head. It is mind-forms. Object-consciousness.

So what is this moment? What is the form of this moment?
The form of this moment is not the story about this moment;
it is the simple appearance of this moment
which is chair, walls, window, cold, noisy neighbors, an unpleasant smell.
But even unpleasant is the beginning of a story.

Just sit. Just this.
This is the moment. This is Now.
And you are sitting (perhaps you still have a chair.)
You're sitting on a chair.
And that's a strange thing.

What happens if I allow this moment without the story?
And then, oh,
strange,
suddenly, by allowing the form,
suddenly, there's a peace that arises from a deeper place.

And you look around at the forms and it is that spacious Presence that is there then. When the forms are no longer obscuring that.
But, you can only get to that when you allow the forms...
that which appeared to prevent you from finding yourself is …actually the doorway…
Not the story, but the simple form of this moment…
Eckhart Tolle, notes from his Omega Retreat

So, by my count, Eckhart Tolle is telling us to stop the story telling.
So, is Adya.
So is Byron Katie.
And so was Epictetus ca. 100 AD.

We are disturbed not by what happens to us,
but by our thoughts about what happens.

His son is dead. What happened? His son is dead. Nothing else? Not a thing.
His ship is lost. What happened? His ship is lost.
He was carried off to prison. What happened? He was carried off to prison.
But the observation: 'He has fared ill,' is an addition that each man makes on his own responsibility.
(Discourses 3.8.1–5, trans. Oldfather)

I think it’s time I learn this lesson.